Browse Items (118 total)

Elisabeth Vigée Le Brun painted this portrait of the Queen after she was asked to remove a portrait of Marie-Antoinette in a chemise dress from Salon. Although the two portraits are very similar, this one features the Queen in a formal, lace-trimmed…

This portrait is the first commission Vigée Le Brun received from the Queen of France, Marie-Antoinette. Here, Vigée Le Brun captured the Queen's austere and confidence nature. In future portraits, Vigée Le Brun deviated from this depiction to focus…

Vigée Le Brun painted this portrait of Marie-Antoinette, to be displayed in the Salon. Here, Marie-Antoinette wears a white muslin dress and straw hat, which is drastically different from what the Queen would normally wear for portraiture. Although…

Elisabeth Louise Vigée Le Brun was the favored artist of the Queen Marie-Antoinette. In this royal family portrait inspired by depictions of the Holy Family, Vigée Le Brun captures the Queen's maternal role

A marble statue sculpted during the Hellenistic era, which was orignally done as a copy of a Greek statue. The work was lost for many years but rediscovered, heavily damaged, in a Roman basement in 1907. The piece was aquired by the Metropolitan…

Marble portrait head of the boy-god Antinoos, beloved of the emperor Hadrian. One of about a hundred iterations of the Antinoos still extant, depicts him as the god Dionysus.

In this portrait, Manuel María is depicted wearing a bright red play costume with his pet cats, finches, and magpie holding the Goya's calling card. The boy was about 3 or 4 years old when it was painted, but after its completion, the boy died at age…

The main image of the Colonna Altarpiece. Oil on Wood and Gold.

Monet and Renoir brought their easels to La Grenouillère, a boating and bathing resort on the Seine river in the summer of 1869. Together, the two captured the leisurely activities of the Parisian people on their canvas.